The rise in work for Aussie and British actors is largely linked to the expanding TV universe, and even if this most recent upfronts season saw an encouraging uptick in TV shows with African-American leading characters, I think we can all look at the TV landscape and agree that in the multi-billion year history of our Earth, this is probably the greatest time in history to be a Caucasian man looking for TV work.
That’s why when I see people earnestly complain — Not many people… Trolls, mostly — that they can’t watch “Orange Is The New Black” because it’s anti-male and the men are all one-dimensional, I get caught in a giggle loop that can last for minutes at a time.
The thing about white male representation on TV is that if you accidentally find one show in which the white guys are douches, you probably don’t want to complain about it, because there are the other 100 shows out there. Whiteness on TV is represented in all of its myriad shadings. Sometimes white guys are heroes. Sometimes white guys are villains. There are gay white guys and straight white guys and white guys in every imaginable profession.
Other than fact-based based projects about actual, verifiable white people, it is never incumbent upon a film or TV show to “cast white,” because if you don’t cast a white guy in one project, you can safely guarantee that the next project with a potentially Caucasian lead will be right around the corner and Hollywood is far more committed to the quest for square-jawed white guys than geologists are to finding petroleum or astronomers are to finding intelligent life elsewhere in the universe.
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